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  • School vision logo

    New school year -- old educational questions

    Education. We pretend it begins for youngsters in September, when the leaves turn, but it continues through all of our season, every minute of every day, for everyone. Learning persists for two reasons -- human curiosity and technological change (you can't stop either one, but notice which is first). Shouldn't a third factor be classroom teachers? Good ones can have a lifelong effect, but our curiosity is the best guide, as technology draws us, often in too many directions, in the classroom that is everywhere. As Arlington schools open Tuesday, Sept. 2, what happens there is sliver of the educational story, albeit a key one for residents. Still, let's take a quick look at the new school year -- and then peer more broadly beyond it. Opening-day info >> ...

  • Pondering Our Future logo

    Spaced out? Many artists, but resistant owners

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  • Arlington election logo

    Primary letters -- all welcome -- 8 ask you to vote for Berwick

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  • Film reviews logo

    Review, ‘Life of Crime’: Leonard’s crew back at shenanigans

    This review by Tom Meek, a writer living in Cambridge, was originally published at Cambridge Day, a YourArlington partner, and is republished with permission. His reviews, essays, short stories and articles have appeared in The Boston Phoenix, The Rumpus, Thieves Jargon, Film Threat and Open Windows. He is a member of the Boston Society of Film Critics and rides his bike everywhere. You can follow Tom on Twitter @TBMeek3 and read more at Elmore Leonard, the beloved master crime and western novelist, transcended seamlessly the divide between pulp and celluloid. His career is littered with great novels that became great movies (“Get Shorty,” “Jackie Brown” and “Out of Sight” to name a few), a smattering of original screenplays (“Joe Kidd”) and even took a few turns as producer. Cormac McCarthy might be his only peer. ...

  • Image of leaves

    Searching for an Arlington poet laureate: YOU?

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  • Arlington election logo

    8 ask you to vote for Berwick; letters for others welcome

    YourArlington welcomes letters to the editor from Arlington residents for all Massachusetts candidates whose election would have an impact on the town. Email them to sprague.bob at Here are eight supporting Don Berwick, who is seeking to be the Democratic nominee after the Sept. 9 primary. Only candidate to oppose casinos   I write in support of Don Berwick for governor. I support Don because he is the only candidate for governor opposed to casinos. In a strong field of likable candidates, this is decisive for me. I saw the Detroit casino pull the life out of the Greektown neighborhood there, so that it looked like a bombed out war zone. ...

  • Chris Loreti, former Redevelopment Board member

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  • Domestic-violence logo

    New law curbs domestic-violence reports: What about sexual-assault case?

    A new law, signed Aug. 8 by Governor Patrick, requires law enforcement to keep domestic-violence cases off public police logs initially, and the Arlington police department is complying. That means details about domestic violence reported to police are not immediately available to the media -- or to you. Had the law been in effect June 1, information about a sexual-assault case in East Arlington would have been delayed. Chief Fred Ryan reached out to area media outlets Aug. 12, alerting them about the law and asking for feedback. He explained: ...

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 Tuesday Sept. 2, 2014 |  1:03:20 p.m.
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Winfred Rembert observing art class at AHS.Winfred Rembert observing art class at AHS.

'Art aims to evoke the senses ... it shows an awakening. You don't always get that with pen and paper.'

-- Nancy Muise, AHS art teacher

A staccato chorus of mallets tapped or pounded. Wet leather glistened. Lean close enough, and you could smell the material.

Twenty Arlington High School students in the art class of Nancy Muise turned their attention from painting to a more hands-on kind of creation introduced in a weeklong series of workshops led by Winfred Rembert.

"I'm the only person in the world who does this," Rembert said in an interview, seated near toiling students. He was referring to etching his life into leather.

The canvases of the unlikely medium, large and small, explode in a range of human drama, from the joy of gospel to the pain of a chain gang. That is a pain Rembert knew firsthand when he was in prison -- and before -- in his native Georgia.

Pain expressed on leather -- and in words

It is a pain expressed the workshops' first day in Nicole Eidson's creative-writing class. Urged to write from the heart, student expression brought many to tears, Rembert included.

The workshops, supported by $6,200 in grants from three Arlington organizations, involved an estimated 200 students. They include those from Metco, 100 art students plus those in U.S. history and English classes.

"They have to find a story to tell," Rembert said in Muise's class on Thursday, March 27. "Something that touches them."

Rembert, 67, has been transferring some of his indelible past to tanned leather since 1999, but the genesis of his art dates to his seven years in prison much earlier.

Learning to tool leather from another inmate, he said prison guards allowed him to develop a craft into an art, because "it didn't present a threat." His hand tools, some of which he made, had to be checked in and out.

What led to his 27-year prison term, later shortened, is a harrowing tale that begins in the 1960s, and he described it in telling detail here >>

His own gift, his wife's push

"I always had a gift," he said, explaining his penchant for artistry.

For the direction his canvases take, he credits his wife, Patsy.

"We long told stories around the table with family members," he said. "One day, his wife, said, 'That's it -- tell stories!'"

And so, in leather, he does.

"We were oppressed," he said of his people, "and we still found a way" to express ourselves.

Rembert honored at Town Hall >>

His favorite work

His favorite work? He hesitates a bit and names "The Struggle," a 2010 work. In it, he puts well-known African-Americans -- President Obama, Oprah Winfrey, Bill Cosby -- in a field picking cotton.

See the work here (click on the 2010 title at left). Read about it here >>

A work he wants to create, "The Sweat Box," would portray his experience of solitary confinement: No room to sit, lie down or fully stand. "You pee on yourself," he said.

Asked why he was put there, he said simply, "Laggin'." That is, not doing what a guard wanted.

Earlier resistance, later patience

His understandable resistance while young has given way to a broader patience.

A survivor of an attempted lynching, he went on to marry and have eight children, ages 40 to 26.

Born in Americus, Ga., nine miles from Jimmy Carter's Plains, he was invited to a luncheon by the former president last year celebrating 50 years of the civil rights movement.

As we talked, mallets kept tapping, some pounding, as students worked their 8-by-10 leather creations. They were trying to do in a week what it takes Rembert much longer to accomplish.

Workshops encourage students to use hands

Muise, one of the art teachers involved, called the workshops "refreshing." She said it lets students to use their hands and work with tools in ways that are much less abstract than usual painting exercises.

Winfred Rembert shows an AHS student how to use a mallet.Rembert gently demonstrates his mallet technique. The hands-on week spurred in her "an a-ha feeling," she said.

Hoping students would connect their art to a snapshot, a moment in time, she asked them: "What's causing you frustrations?"

An art teacher AHS for 17 years, she said students' initial reactions to the workshops was "guarded." As she said that, a student working next to her, Ben Boyajian, a sophomore, said: "I like it." He was fashioning on leather a guitarist performing (Ben plays guitar).

"Art aims to evoke the senses ... it shows an awakening," the teacher said. "You don't always get that with pen and paper."

At the same table, sophomore Matt Carney worked away on his leather depiction of a car he favors, a Chevrolet Monte Carlo, tilted at a rakish angle.

Not far away, Corshayla Jones, a junior, who lives in Boston's South End, portrayed her grandmother getting puppies. The joy of her smile was not yet colored in, but you could see it coming along.

"I love my grandmother," Jones said, "and she loves dogs."

Organizers of the project

Who orgnized what was called "The Winfred Project"? Who helped attract this alternative artistic energy, to Arlington from New Haven, Conn., where Rembert lives and teaches at Yale?

One was David Ardito, interim K-12 director of visual art for the Arlington public schools. He was involved with getting grants that made it possible.

The Arlington Education Foundation provided two grants totaling $4,500.

The Arlington Cultural Council contributed $1,200.

The Martin Luther King Jr. Birthday Observance Committee added $500.

Ardito said the workshops were 12 to 18 months in the planning. They stem from the first showing of "All Me," which dramatizes Rembert's life and art, at the October 2012 Arlington International Film Festival.

That night the showing "lit up the audience," he said, and led to the project, which he called "magnetic."

He praised volunteers Linda Yee, who works with the film festival, and parent Eileen Murphy-McNamara, an architect who put together a time lime of Rembert's life and work. She also produced journals for kids to jot workshop thoughts. Each has separate covers of Rembert's art.

Of course, the overall project organizers, who also helped out during the workshops, were Alberto Guzman and April Ranck, who founded the film festiva. They seem to be everywhere.

Almost 100 visual-art students worked with Rembert during the week. Equally involved were art teachers Annie Rebola-Thompson and David Moore.

The key element of the project was its interdisciplinary nature -- with four visual art classes, two creative-writing classes (Rebecca Walsh-Bradley and Eidson) and one U.S. History class (Melanie Konstandakis-Schwartz).

Eidson wrote to Ardito: "Thank you so much for inviting us to participate in this project. Winfred is unlike any man I have ever encountered and I was moved (quite literally to tears) this morning [Monday, March 24].

"My students have individually come up to me to talk about their experience this morning and every single one of them thought it was one of the most powerful 80 minutes they have ever experienced in a school, or life setting."

Rembert was honored at a Town Hall reception on Saturday, March 29. He regaled an estimated 60 attendees with an extended rendition of his life's story. As it closed, all rose to applaud.


    •     Choose a design. Base it on an experience with personal meaning and feelings behind it.
    •     Put your design on tracing paper (not a required step). Tape the paper to 8-by-10 wettened leather, which makes it pliable.
    • Use a hard pencil or similar tool to press the design into the leather.
    • Use a swivel knife to cut along the lines, forcing the leather to be tooled. Leather may be pushed up or down, providing an illusion of depth.
    • Add textures, something Rembert loves to do in his own work. (One AHS student was adding many dots of color to a series of small depressions to offer the illusion of ocean waves.)


Image, commentary about "Amazing Grace" (2008)

First solo show in 2010 >>

Discussion of 2012 Hudson River Museum exhibit >>

Many examples of his work >>

This story was published Sunday, March 30, 2014, and updated the next two days to add details.


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